Thursday, 29 April 2010

Meow!


Dear TO-ORIST,

People may be tempted to stare and laugh at me, but honestly I could not care less - I want your tapestry cat bomber jacket more than I want Number (N)ine to come back (which is rather a lot, just look at this collection!).

But seriously...£349? Cut a boy some slack.

I may just have to hang around antique shops in a top hat, monocle and crimson velvet-lined cape (if you are going to try and be incognito, you may as well have fun with it) in the hopes that someone drops off a tapestrical (I realise that is not actually a word) masterpiece for me to cut and sew...and then possibly discover that I am actually pretty bad at making jackets.

And yes, cats really are that awesome.

Have I been in the library a little too much as of late whispering to the books and pretending that they talk back to me in funny old accents and lament the fact that they have not had the chance to come off the shelf and stretch in far too long? Probably, but I would never admit it if you asked.

(If you are a dog person, please do excuse this post. I think I may need to go and have some tea)

Currently playing: Solo Dolo - Kid Cudi

xxxx

290410


Yellow brick

Currently playing: Ballade No. 2 in F Major, Op. 38 - Chopin

xxxx

Tuesday, 27 April 2010

Those Trousers

Richard Chai is one of the few designers who I think consistently shows wonderfully wearable clothing. Since he launched his menswear line in Fall 2008 he seems to have flown under the radar, albeit receiving a nod from the CFDA as one of the Fashion Fund's finalists. I feel it is a bit of a shame really, but I suppose that considering how he actually owns his own label, his work is perhaps not afforded the same media opportunities as other designers who may be under the wing of major backers.

I suppose I feel that were Chai to show in London as opposed in New York he would garner far greater attention. Yet, as much as London allows a chance for less well-known designers to show, it does not lend itself to finding that all important security of financial backing. Alas, London is a cruel mother to her young fashion designers. Then again, given that Chai shows in New York, it does suggest that he has quite the secure financial background.

Anyhow, I digress, what I actually wanted to discuss were trousers (...or pants, if you must).

Fall 2010

Firstly I have to say that I really would like some mohair arm warmers for Winter. Although as much as I loved the styling with the pushed up sleeves, I am not entirely sure how practical that would be on a cold day. However aesthetically it looked quite beautiful.

What attracts me most to Chai's work are his silhouettes - he has quite the fitted upper with a slouched lower half tapering gently towards the ankles. It is quite a subtle cut, and yet looking at the thighs and seat of the trousers you really do notice the difference. The more comfortable fit is no doubt a testament to his particularly casual style, and it is quite refreshing in the light of knitted leggings and super fitted trousers.

I have been on a personal hunt for a rather specific style of trousers. I would like a pair of woolen high rise trousers, although with a visible slouch to the seat, with a pleated front, and a leg which tapers gently towards the ankles, essentially providing a similar silhouette to Chai's signature cut. Admittedly his trousers tend to be flat fronted to emphasis the sport's wear inspired influences that run throughout his work, however I find them just as attractive.

I love these trousers, they have a cool Robert Geller edge to them.

Fall 2009

Of course as much as I would love a pair of smarter trousers in Chai's cut, such as the two above, he is most notable for his more casual and minimal designs. The casual trousers below, from his Spring 2009 collection, still stand out particularly vivid in my mind. It is odd to think of how relevant these looks still are. I must admit that the first look with the pink cotton pea coat and khakis does remind me quite a lot of Comme des Garçons, although being far more fitted than Rei would have you wear.

Spring 2009

I suppose these cuts require a certain physique for the optimal look, but I think they are pretty much suitable for most body types, which is always nice. Then again, there are not that many men I know of who are particularly concerned about looking like they have fat hips. Were these women's trousers...well that would be another matter.

Currently playing: Last Night - Movado

xxxx

270410


Construction

Currently playing: The Step And The Walk - The Duke Spirit

xxxx

Sunday, 25 April 2010

Patterns And Prints


If you were so inclined to listen to the fashionable folk over at GQ (I miss men.style) you are probably currently stocking up on your plaid or plain white cotton pocket squares for Summer. Whilst I do love a crisp folded white pocket square to give my suit that extra dash of elegance, I am a print man at heart. Or more specifically, a floral print man. Or...even more specifically, a Liberty floral print man, but alas my wallet does not always indulge me.

There is nothing nicer than using your pocket square to play against the colour of your tie, shirt or other accessories. Although stylists and gentleman's magazines seem to regard men who mix prints (unless incredibly subtle) with the same disdain as men who pair brown belts with black shoes, I have always found where the pocket square is concerned, the flash of print allows for far greater freedom than the dreaded shirt and tie mixed print fiasco. Whereas clashing prints in close proximity occupy a very precarious area, your suit provides a nice break between your tie and breast pocket, so mixing up those respective prints is more flexible.

As regular readers can attest to, I love colour, and where you may only be wearing a grey suit with white shirt and navy tie (and pale blue or lilac socks perchance?), a little blue and lilac floral print pocket square goes a long way in adding a nice impact. Of course a pocket square can also be worn when you are donning a suit sans tie, in which case simply playing off of the colour of your unbuttoned shirt and a casual fold or puff is always fun.

Again if you follow the advice of that previously mentioned magazine, you are perhaps strictly bound to a folded pocket square à la the painfully stylish Don Draper. It is indeed a rule hard to go wrong with, but then again, rules are meant to be broken. I always find it a shame to square off a wonderfully patterned and colourful pocket square, so why not give it a puff?

Consider this a sample of a collection in progress...

...Tie Rack (well you need to start somewhere!)

Grayson Perry for Liberty

Liberty (Betsy, J)

Liberty (Meadow, C)

Vintage

Vintage

Obviously no collection is complete without some block-coloured pocket squares, and indeed mine most prominently features white cotton. Simple but effective.

It is all about showing that fun additional piece of individuality.


P.S. I would like to extend a MASSIVE thanks to the wonderful Steve and Eliza of Style Salvage for featuring me in their Style Stalking series. Click here to see a little style diary from yours truly.

P.P.S. Click here to bid on the first pair of 1460 Dr Martens boots to be made in their Wollaston factory on their 50th anniversary on 1st April 2010. The winner will be the proud owner of a wonderful pair of DMs and an iconic slice of history. All proceeds go to the Footwear Friends Charity.

Currently playing: Beautiful - Under The Influence Of Giants

xxxx

250410


"If any plane attempts to fly it will crash and all those on board will die"

...

"Oh wait, you mean we're losing money from not flying? In which case you must have misheard me earlier, what I actually said was it is absolutely safe to fly and all those on board should enjoy the plum pie"

I do like plum pie.

Currently playing: Over - Drake

xxxx

Wednesday, 21 April 2010

Recent Inspiration

Just some pretty pictures to carry you through the week.
Fashion seems to flash by too fast for people to actually stop and just enjoy the beauty of it.

Currently playing: My World ft. Billy Cravens - Kid Cudi

xxxx

210410


It's all about the little details.

Currently playing: Butterfly - Jason Mraz

xxxx

Tuesday, 20 April 2010

Getting Comfortable

'Soul of Chet'
Vogue Hommes (China)
Photography by Matthew Brookes

I found this jazz inspired editorial fascinating because of the styling of the suits. They had a wonderfully casual and comfortable feel about them, which I suppose is that hip cool they sought to embody. However it also got me thinking about suits and having that comfortable sense of confidence.

There was a time when a man wore suit and thought nothing of it. It was not for special occasions, it was not for the office, it was not to impress, it simply was what he wore. It may have been one of only two or three outfits that he owned, passed down from father to son, being altered as it went, and having a richer life than we could now imagine or hope for the majority of our clothing to ever have.

Fashion only ever emerges in a society once there is the potential for social mobility. With social mobility and that Victorian belief in the potential of better standing, the demarcation of status through clothing and its related sumptuary laws becomes somewhat irrelevant. Rather fashion comes into its own, ostensibly accessible to all, yet in practice perhaps not as democratic as it posits itself to be.

I often find myself looking towards the past, and in particular to a time before fashion as we understand it today, in order to better understand style. Style is perhaps the most elusive of all concepts and yet something intrinsic to fashion. Without style, a person risks becoming nothing but a doll for clothing, inviting that most feared of terms - the fashion victim. I always find it interesting that those who are seen as fashion victims, blindly following a trend, lose any sense of personality and identity. In the eyes of others they are no longer an individual, but rather belong to that nameless mass.


I thought I would share these images from just before World War One, because although the sitters may not be fashionable, they do have a powerful individual style. I find them absolutely magical to look at. It is not simply the clothes, or how they wear it, it is the people themselves, those nameless individuals that must have had such stories to tell.

These are not about fashion, they are about life.